Concert Report Essay: Music is one of the greatest creations that identify with the journey of humankind over time. It is creativity in a pure form and plays a vital role in expressing our feelings and emotions. Music helps us to reduce the stress of the daily routine and even excites us in the moment of joy. There are various forms of music like classical music, folk music, western music, etc. which have evolved over some time and enrich a nation’s culture and heritage.
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Introduction on Concert Report
Indian music, especially Hindustani Classical Music, has always been recognized for its high quality and rich tradition that touched the lives of millions of people around the world. The concept of ‘Music Conference’ was introduced in the early part of the twentieth century to bring about a closer dialogue between those working in the areas of music. They sought to bring together musicians, experts, and performers on a common platform through a combination of discussions and concerts spanning over a few days. The concert report is meant to describe and evaluate the series of performances given by a variety of eminent musicians to provide the audiences a unique musical experience.
The Dover Lane Music Conference has an age-old tradition of organizing a musical concert in Kolkata. It started its journey in 1952 and this year is celebrating its 69th year of a glorious tradition. This year the conference started on 13th February 2021 and continued till 16th February 2021. Following the Covid-19 protocol, the concert changed its format this year in terms of timings. The concert report states that there were only day and evening sessions and no night-long sessions as happened earlier. This year’s concert was dedicated to Pandit Jashraj, a leading vocal artist who has enriched Indian classical music with his golden voice for decades. As a part of this concert, the annual Sangeet Samman was conferred to Pandit Ajay Chakravarty, another eminent vocalist of classical music in India.
Concert Report Essay Description
Since this was a classical music concert, it was meant for the kind of audience that would appreciate the performance. One interesting thing about this concert is the fact that classical music was not only incorporated with vocals and instrumental music but also included some beautiful dance performances by individuals and groups which gave the concert a different dimension. This is one of the modernizations that this genre of music has adapted to communicate with audiences.
The first day’s concert report started with the performance by lead vocalist Sri Amit Chowdhury, who created the musical environment very effectively. This was followed by a kathak dance performance by father-daughter duo, Deepak and Ragini Maharaj. It was a visual treat that displayed the heritage of the Lucknow Gharana. The expert footwork and poise, well supported by Kumar Bose’s bright tabla elevated the entire performance. Then the audience was treated with another duet performance, Sanjeev Abhyankar’s generous vocal and the skillful flute of Shashank Subramanyam. In the later part of the day, The senior vocal artist and Sangeet Samman awardee, Pandit Ajoy Chakraborty, mesmerized listeners with his Bageshree and Bhairavi accompanied by Abhijit Banerjee in tabla.
The concert report of the second day began with a beautiful sarod recital by Abhisek Lahiri which brought the attention of the audience. Then there was a group dance performance of Kathakali dance by the Uma Memorial Kalalayam which was also appreciated. The santoor recital by Satish Vyas was charming in Madhuvanti and Kirwani. One of the best performances was by Bharati Pratap, an Agra Gharana follower. In her generous voice, she beautifully rendered alaap in the traditional style as well as a Meera bhajan. Another wonderful musical experience was the combination of Shubhendra Rao on sitar and Saskia Rao-de Haas on cello.
On the third day of the concert report, Omkar Dadarkar presented a flavor of the ragas, Marwa and Tilak Kamod through his beautiful voice. However, the well-trained voice of Armaan Khan, the son of Rashid Khan, was a discovery and brought appreciation from the audience considering his heritage. Mita Nag successfully proliferates the mind of the audience with her melodiously rendered sitar recital of Lalita Gauri, Purvi, and in Puriya Kalyan ragas. The concert became glorified with Amaan Ali Khan’s sarod. Amaan’s expertise with unique rhythmic movement created a beautiful blend of melody and compactness.
The fourth and concluding day’s concert report describes some memorable performances by both seniors as well as young talents. Atri Kotal’s vocal rendition and Indrajit Basu’s flute were the sparks of new talent. Another mystical performance was Debapriya Chatterjee Ranadive’s flute. The violin recital by Nandini Shankar was also very sweet to the ears. Jayteerth Mevundi’s voice and Anupama Bhagvat’s sitar recital also evoked a magical mood. Mevundi’s originality performed a new charm with varied voice modulations. On the other hand, Anupama’s fingers on sitar created some wonderful melodies and made a perfect balance between musicality and the technical aspects. The audience enjoyed the composition of ‘Talbadya’, a musical concert performed by Tanmoy Bose on tabla, Patri Satish Kumar on mridangam, Giridhar Udupa on ghatam.
The concert concluded on an amazing note with the vocal recital by Rashid Khan, who struck the audience with his unique voice texture and artistic traits. Rashid Khan gradually created an atmosphere of musical absorption with Nayaki Kanada followed by Sohini and Bhairavi. The concert report must highlight that melodies were so elegant that the audience was impressed.
Concert Report Evaluation
As per Dover lane Music Concert Report, some performances were enchanting while some did not meet the expectations of a certain section of the audience. But the music itself has a balanced and harmonious flow so the audience enjoyed the journey throughout. The music has something to be enjoyed beyond performance and criticism. Considering the nature of classical music from the traditional perspective, things are only supposed to be performed in certain ways. However, conventional classical music has welcomed some modernizations for commercial purposes. The overall arrangements focus on blending traditional music with contemporary music to create interest and attention among younger generations towards this glorious tradition of Indian classical music.
Conclusion on Concert Report Essay
The Dover Lane Music Concert Report communicates the message that, while maintaining its tradition for projecting highly sophisticated cultural values, also aimed at showing the world as well as Indian intellectuals that Hindustani music is the origin of many creative ideas and needed to be given a prestigious position.
FAQ’s on Concert Report Essay
Question 1.
What was the purpose behind organizing a Music Concert?
Answer:
Concerts are live performances by various artists and musicians. It allows the performers to connect with people through music and the audience also can feel and enjoy the passion that is put into the music.
Question 2.
What were the performances that constitute the Dover lane Music Concert?
Answer:
The performances include vocal, instrumental, and dance performances.
Question 3.
Who was the performance given by the father-daughter duo at Dover lane Music Concert 2021?
Answer:
Deepak Maharaj and his daughter Ragini Maharaj performed the Kathak dance in the concert.
Question 4.
What was the venue and schedule of the Dover lane Music Concert in 2021?
Answer:
The Dover Lane Music Concert was held in Nazrul Mancha at Kolkata, West Bengal from 13th February to 16th February 2021.
Question 5.
How old is the tradition of the Dover Lane Music Conference being held in Kolkata?
Answer:
Dover Lane Music Concert was started in 1952 and will celebrate its 69th year in 2021.