Merchant of Venice Act 2, Scene 8 Translation Meaning Annotations

Merchant of Venice Act 2, Scene 8 Modern English Translation Meaning Annotations – ICSE Class 10 & 9 English

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Original Text
Act II Scene VIII

Merchant of Venice Act 2, Scene 8 Translation Meaning Annotations 1

Merchant of Venice Act 2, Scene 8 Translation Meaning Annotations 2

Modern English Reading
Act II Scene VIII

SALARINO : Why, man, I saw Bassanio sailing away; Gratiano has gone along with him; And I am sure Lorenzo is not on their ship.

SALANIO : The villain Jew woke up the Duke with outcries.The Duke went with him to search Bassanio’s ship.

SALARINO : He came too late, the ship was sailing away; but there, the Duke was given to understand that Lorenzo and his amorous Jessica were seen together in a gondola. Besides, Antonio assured the Duke that they were not with Bassanio in his ship.

SALANIO : I never heard such confused anger, So strange, outrageous, and so changeable, the Jew barked like the dog in the streets.” My daughter! Oh, my dollars! Oh, my daughter ! Fled with a Christian! Oh, my Christian dollars! Justice! The law! My dollars and my daughter! A sealed bag, two sealed bags of dollars, of double ducats, stolen from me by my daughter! And jewels! Two stones, two rich and precious stones, Stolen by my daughter! Justice! Find the girl! She has the stones on her and the ducats.”

Word Meaning With Annotation

Raised the duke : stirred him up to action. The Duke : the old city of Venice was an independent republic, and the chief ruler was the Duke, gondola : the city of Venice is built upon a number of islands and channels of water take the place of streets, instead of carriages, long narrow boats called gondolas ply back and forth, double ducats : it seems that there were two kinds of ducats in circulation, one being double the value of the other.

Original Text

Merchant of Venice Act 2, Scene 8 Translation Meaning Annotations 3

Merchant of Venice Act 2, Scene 8 Translation Meaning Annotations 4

Modern English Reading

SALARINO : Why, all the boys in Venice followed him, crying, his stones, his daughter, and his dollars.

SALANIO : Let good Antonio be careful about making his payment on time, or he shall pay for this.

SALARINO : Damn it, thanks for reminding me. I was talking yesterday with a Frenchman, who told me that, in the narrow seas that part the French and English, a vessel of our country, sank, loaded full with rich cargo. I thought about Antonio when he told me, and wished in silence that the ship wasn’t his.

SALANIO : You’d better tell Antonio what you heard; still, don’t tell him without warning because it may be too painful.

SALARINO : A kinder gentleman does not walk on the earth. I saw Bassanio and Antonio say goodbye: Bassanio told him he would hurry back. He answered ‘Don’t hurry back; don’t be careless with business for my sake, Bassanio, but wait until your plans are realized; and for the Jew’s promise to pay which he has from me, don’t let it enter your mind, thinking about love: Be happy, and use your main thoughts for courtship, and such beautiful shows of love that may agree with you there.” And even there, his eyes being big with tears, turning his face away, he put his hands behind him, and with affection that was amazingly easy to feel, He shook and shook Bassanio’s hand, and they parted like that.

Word Meaning With Annotation

Keep his day : discharge his debt punctually on the agreed day. Marry, well remembered : this is a contraction for “By St. Mary, it is as well that you have reminded me, etc.” miscarried : wrecked; met with disaster, fraught : laden; stored with cargo, slubber : to perform any business in a hasty and slovenly manner, but stay the very riping of the time : as the farmer does not gather his crops too soon, but waits until they are quite ripe. let it not enter in your mind of love : Let it not enter into your mind, which should be full of thoughts of love-making, ostents : evidence or displays of affection, big with tears : full of big tears.

Original Text

Merchant of Venice Act 2, Scene 8 Translation Meaning Annotations 5

Modern English Reading

SALANIO : I think Antonio only loves the world for him. Please, let’s go and find out where he is, and help bum up his tangled depression with some delight or other.
Exeunt.

SALARINO : Let’s do it.
Exeunt.

Word Meaning With Annotation

Embraced heaviness : the heaviness or melancholy which Antonio has voluntarily embraced, or taken to himself. They think that he is rather making too much of his assumed sadness.

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Merchant of Venice Act 2, Scene 7 Translation Meaning Annotations

Merchant of Venice Act 2, Scene 7 Modern English Translation Meaning Annotations – ICSE Class 10 & 9 English

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Original Text
Act II Scene VII

Merchant of Venice Act 2, Scene 7 Translation Meaning Annotations 1

Merchant of Venice Act 2, Scene 7 Translation Meaning Annotations 2

Modern English Reading
Act II Scene VII

PORTIA : Go, draw the curtains aside, and show The three chests to this noble prince. Now, make your choice.

MOROCCO : The first, of gold, bears this inscription:” Who chooses me shall gain what many men desire.” The second, silver, carries this promise:” Who chooses me shall get as much as he deserves.” This third, dull lead, has a warning just as blunt:” Who chooses me must give and gamble all he has.” How shall I know if I chose the right one?

PORTIA : One of them contains my picture, prince; If you choose that, then I am yours as well.

Word Meaning With Annotation

Discover : reveal, several : different; various. Blunt : the words of the inscription on this casket are plain and unattractive, just as lead itself is in comparison with gold, withal : ‘‘along with the casket.”

Original Text

Merchant of Venice Act 2, Scene 7 Translation Meaning Annotations 3

Merchant of Venice Act 2, Scene 7 Translation Meaning Annotations 4

Merchant of Venice Act 2, Scene 7 Translation Meaning Annotations 5

Modern English Reading

MOROCCO : Some god direct my judgment! Let me see; I’ll look over the inscriptions again. What does this leaden chest say?’ Who chooses me must give and gamble all he has.” “Must give”: give what? For lead? Gamble for lead! This chest threatens; men that gamble everything do it in hope of a better advantage: A golden mind doesn’t stoop to shows of scum; Then I won’t give or gamble anything for lead.What does the silver say, with her virgin color?’ Who chooses me shall get as much as he deserves.” As much as he deserves! Stop there, Morocco, And consider your value with a balanced hand. If you are rated by your own opinion, You do deserve enough, and yet enough may not extend so far as to include the lady; And yet to be afraid of my what I think I deserve is only a weak opinion of myself. As much as I deserve! Why, that’s the lady:I was bom to deserve her, and also in fortunes, in graces, and in qualities of breeding; But more than these, I do deserve love. What if I didn’t go any farther, and chose right here? Let’s see this saying engraved in gold once more:’ Who chooses me shall gain what many men desire.” Why, that’s the lady: all the world desires her; They come from the four corners of the earth, To kiss this shrine, this mortal-breathing saint: The ancient deserts and the vast wilds of wide Arabia are like long highways now because princes come to see beautiful Portia: The ocean, whose ambitious waves spit in the face of heaven, is no barrier to stop the foreign spirits; they only come to see beautiful Portia as though the ocean was a brook. One of these three chests contains her heavenly picture. Is it likely that the lead one holds her picture? It’s damnation to think such a low thought; it’s too gross even to be used as her shroud in the obscure grave. Or shall I think she’s enclosed in the walls of this silver one, being worth ten times less than traditional gold? Oh, sinful thought! There never was so rich a gem set in something worse than gold. In England, they have a coin that bears the figure of an angel Stamped in gold; but that’s engraved on it, but here, an angel in a golden bed Lies inside this chest. Give me the key;I choose here, and be as lucky I as I may!

Word Meaning With Annotation

Back again : going back to the beginning again: rereading the inscriptions in the opposite order. A golden mind stoops not to shows of dross : “A mind of high quality is not deceived by worthless shows.” From this we can analyse the mind of Morocco, and see why he chose wrongly. He is not able to understand that a modest nature might choose plain outward appearance, and that great things in life may be gained only by hazard and sacrifice. He can only understand outer show and glitter, virgin hue: “white colour”. White was always supposed to be the colour which symbolised purity, and hence is often used for the dress of pure and virtuous people, with an even hand : with impartial estimation, be’ st rated : art judged, by thy estimation : by his own estimation of himself, afeard : “afraid”. To kiss this shrine, this mortal, breathing, saint : The old pilgrims used to see some sacred relic or saintly man, and would esteem it a privilege to kiss the hand of the saint. Hyrcanian desert : wild stretch of country in Asia, vasty wilds : vast wilderness. The watery kingdom, whose ambitious head Spets in the face of heaven, is no bar : The vast waves rising up in a storm, and dashing their spray right to the sky. foreign spirits : “men from foreign countries.” ‘Twere damnation to think so base a thought : just as it would incur punishment to think a base thought in spiritual matters, so would it be false love for him to think this, rib : to enclose, cerecloth in the obscure grave : The cere-cloth was waxed cloth, used to enclose a body in the coffin, immur’d : lock up. A coin that bears the figure of an angel : this was so called because the figure of St. Michael was shown on the coin in question; it was worth about ten shillings. But here an angel in a golden bed Lies all within : but that angel is only stamped on the surface of the gold, while this angel, Portia, lies completely surrounded by gold, and thrive I as I may : and no matter how I may succeed.

Original Text

Merchant of Venice Act 2, Scene 7 Translation Meaning Annotations 6

Merchant of Venice Act 2, Scene 7 Translation Meaning Annotations 7

Modern English Reading

PORTIA : There, take it, prince, and if my picture lies there, then I am yours.

MOROCCO : Oh, hell! what have we here? A skull, whose empty eye has a written scroll in it! I’ll read the writing.” Everything that glitters is not gold, often have you heard that told; Many a man has sold his life just to look at my outside: Gilded tombs wrap around worms. If you had been as wise as you are bold, Young in arms and legs, and old in judgment, Your answer would not have been a scroll: Goodbye, your search is cold.” Cold indeed; and waste of work: Then, goodbye, heat, and welcome, frost! Portia, goodbye! I have such a very grieving heart that I won’t leave slowly; losers leave like this.
Exit.

PORTIA : A gentle clearance. Close the curtains: go. Let every man like him choose me in the same way.
[Exeunt]

Word Meaning With Annotation

CarriSn death : “a loathsome skull.” The skull is often spoken of as a “Death’ shead”, and is used as the symbol of death, scroll : a sheet of paper in the form of a roll. Gilded tombs do worms enfold : “a tomb may be a fine building covered with gold, but all that it contains is a mass of dead bones, where worms live.” This is a reminder to Morocco that he has been deceived by the outward appearance, inscroll’d : written so in this scroll, your suit is cold : your errand of love has failed, then, farewell heat ; and welcome frost : he now passes from fervent love to cold disappointment. Gentle riddance : “a good riddance” or “we are well rid of him.” complexion : disposition; nature.

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Merchant of Venice Workbook Answers Act 2 – Passages with Reference to the Context

Merchant of Venice Workbook Answers Act 2 – Passages with Reference to the Context – ICSE Class 10 & 9 English

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Passage – 1
(Act II, Sc.I, Lines 1-7)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 1

Context : These words are spoken by the Prince of Morocco to Portia when he is about to make his choice of a casket.

Explanation : The Prince of Morocco asks Portia not to dislike him because of his black complexion. As he is a native of a tropical country, his black complexion is due to the excessive heat of the sun. He says that he is willing to stand comparison with the fairest person from a cold, northern country where the sun shines so mildly that it cannot even melt the ice. Let blood be drawn from his body and from the body of a fair-complexioned person and let the redness of their blood be compared to find out which of the two men is healthier and braver.

Passage – 2
(Act II, Sc.I, Lines 24-31)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 2

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 3

Context : These words, takens from The Merchant of Venice are spoken by the Prince of Morocco to Portia when he us about to make his choice of a casket.

Explanation : The Prince of Morocco swears by his sword that in order to win Portia he would do the most daring thing in the world. With this sword, he says, he killed the Shah of Persia and also a Persian Prince who had thrice defeated Sultan Solyman in battle. He asserts that in order to win Portia he would provoke and overcome the bravest person, snatch away from the she- bear her young, sucking cubs, and even challenge the hungry lion searching for victim.

Passage – 3
(Act II, Sc.I, Lines 31-35)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 4

Context : These lines are taken from The Merchant of Venice and form a part of the speech of the Prince of Morocco when he is going to try hjs fortune at the caskets in Portia’s house. He says that in courage he is second to none but that the choice of the right casket is a matter of fate, not of heroism.

Explanation : Hercules in ancient mythology was the strongest of men while Lichas was his servant. Morocco says that if Hercules and Lichas were to play at dice, it is just possible’ that the latter, though inferior to the former in physical strength, might be the winner by the winner by a lucky throw of the dice. Superiority in such a case would be determined by a mere chance. He means that, though he is the bravest of warriors, he might still fail to choose the right casket if accident does not favour him. Morocco feels sad to think that his bravery and heroism can be of no use to him in this lottery.

Passage – 4
(Act II, Sc.II, Lines 150-153)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 5

Context : These words are spoken by Launcelot Gobbo to his blind old father after Bassanio has accepted Launcelot’s suit and given him a job. Launcelot feels very happy and tells his father that he is really a lucky fellow. He looks at the palm and begins to read his fortune.

Explanation : Launcelot says that the lines on his palm indicate that three times he will narrowly escape being drowned but that he will run the serious risk of being married. He concludes his palm-reading by saying that if Fortune be a woman, she is a kind woman indeed, because she is so favourable to him.

Passage – 5
(Act II, Sc.III, Lines 16-19)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 6

Context : These lines are spoken by Jessica in Act II, Scene III of The Merchant of Venice. They reflect Shylock’s sordid house-keeping. Both his daughter Jessica and his servant. Launcelot are fed up with his harsh treatment and highly suspicious nature. He had made the house a hell for Jessica who is planning to elope with Lorenzo her Christian lover.

Explanation : Jessica gives a letter to Launcelot to be delivered to Lorenzo, apprising him of her intention of eloping with him. She does not like the ways of her father. Although by birth she is his daughter, she is in no ways kindred to his disposition. But she knows that in disliking her father and especially in eloping with a Christian boy against his will, she will be committing a hateful sin. She is, after all, not absolutely heartless.

Passage – 6
(Act II, Sc.V, Lines 29-33)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 7

Context : Shylock addresses these words to Jessica in Act II, Scene V of The Merchant of Venice. He has been invited to a feast and he is asking Jessica to guard the house in his absence and shut the windows, if she sees a masque of the Christians in the street.

Explanation : Shylock asks Jessica to note his words. When she hears the sound of the drum and the hateful noise of other musical instruments of the Christians she should not climb to the windows and thrust her head out to listen to them. She should shut all the windows of his house so that no sound of the merry-making of the Christians should pour into it. Thus not to mix with them, Shylock does not even want the sound of the Christian to enter his house.

Passage – 7
(Act II, Sc.V, Lines 46-48)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 8

Context : This comment is made by Shylock, who appreciates the services of Launcelot Gobbo who has come to bid him good-bye after he has taken service under Bassanio. We find him a bit moved at the thought of separation from the servant. .

Explanation : Shylock says that Launcelot is kind enough: but he eats too much, he is as slow as the snail in any useful work and sleeps during the day like the wild cat. So shylock is glad to get rid of him.

Passage – 8
(Act II, Sc.IX, Lines 78-80)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 9

Context : These lines spoken by Portia occur in Act II, Scene IX of The Merchant of Venice. The Prince of Arragon ultimately selects the silver casket and to his utter despair finds a fool’s head in it. But all is to Portia’s relief.

Explanation : Portia feels greatly relieved that the Prince of Arragon fails to choose the right casket and departs with his followers. She says that he has been punished for his arrogance and is glad that fools like he have just intelligence enough to argue wrongly and choose the wrong casket. Arragon is here compared to a foolish insect that has fluttered around a bright light, and been burnt. Portia calls suitors like Arragon “deliberate fools” that is, deliberating fools because they calculated too much and their choice depended not on love but on reasoning which led them astray. She is, of course, relieved and thankful for that.

Passage – 9
(Act II, Sc.VI, Lines 12-19)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 10

Context : These lines from Act II, Scene VI of The Merchant of Venice bring to light Lorenzo’s companion’s feelings on Lorenzo’s unpunctuality. They comment upon his diminishing ardour for Jessica. Salarino insinuates that his ardour has much cooled down, now that Jessica is his own.

Explanation : Gratiano here gives a full choice of illustration to prove that there is more pleasure in seeking than in actual enjoyment. The novelty of a thing wears out through use. Our pleasure is greater in seeking an object. Therefore, courtship period is more pleasant than the married life.

Passage – 10
(Act II, Sc.IV, Lines 36-39)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 11

Context : These lines are spoken by Jessica to Lorenzo in Act II, Scene VI of The Merchant of Venice.

Explanation : Jessica feels uneasy about her change of dress. She feels ashamed to come out in a boy’s suit. She, however, feels little sense of comfort that it is a dark night and so Lorenzo cannot notice the change in her. But she adds that if would not have mattered much even if Lorenzo saw her in a boy’s clothes. Lovers, blinded by their passions, do not generally mark the passing follies of each other. So Lorenzo also will not very much mind her change. If, however, Lorenzo were not so love- blind, if he were able to notice her pretty folly, he would have been shocked at Jessica’s transformation, for it was such a change that it would shock even Cupid, the blind god of love.

Passage – 11
(Act II, Scene VI, Lines 41-44)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 12

Context : These lines are spoken by Jessica in Act II, Scene VI of The Merchant of Venice. Jessica is secretly running away with Lorenzo. She ought to be kept concealed so that no one should get any trace of her.

Explanation : These lines contain Jessica’s womanly and becoming reply to the suggestion of Lorenzo that she (in the boy’s dress) should be his torch bearer. This was too much for her womanly nature. It is enough that she has put on a boy’s dress; but she could not be expected to display her own shamelessness by being Lorenzo’s torch-bearer. This will simply expose Jessica. Jessica would prefer to remain in darkness rather than hold up a lighted torch which’would be a blow to her modesty.

Passage – 12
(Act II, Sc.VII, Lines 55-59)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 13

Context : The Prince of Morocco in Act II, Scene VII of The Merchant of Venice argues to himself that he base lead is not suited to have Portia’s portrait. Morocco takes it for granted that he deserves Portia and considers only gold to be equal to his rank and appropriate to Portia’s qualities. The image he thinks worthy of Portia leads him astray.

Explanation : The Prince of Morocco in these lines argues to himself that the base lead cannot contain the portrait of saint-like. Portia and silver which is ten times inferior to gold, cannot also contain Portia, a rich gem like her is worthy of golden casket only. There he thinks that only golden casket which bears the inscription. “What many desire” contains her portrait. He remembers the English coin, which people use, bears the image of an angel, Portia is no less than an angel. Therefore, she must be contained in the golden casket, entirely hidden from view.

Passage – 13
(Act II, Sc.VIII, Lines 15-17)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 14

Context : These lines are taken from Act II Scene VIII of The merchant of Venice. Salanio tells Salarino about Shylock’s storm in his mind on finding his daughter having eloped with Lorenzo.

Explanation : In these lines Shylock laments about his daughter who has eloped with her lover. In his outcry Shylock seems greatly upset by the loss of both—his daughter and ducats, with perhaps the greater weight on the latter. In utter despair, he moves about the streets, crying about his loss. The worst part of it is that she has run away with a Christian.

Passage – 14
(Act II, Sc.IX, Lines 46-49)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 15

Context : These lines are spoken by the Prince of Arragon in Act II, Scene IX of The Merchant of Venice. Arragon is examining the caskets and on the silver one he reads the inscription, “Who chooses me shall get as much as he deserves.” He argues over it that people should certainly get what they deserve. In life so many people attain dignities without merit. In these lines he expresses this injustice rampant in the world.

Explanation : In these lines which are pregnant with dramatic irony the Prince of Arragon deplores the practice of the Elizabethan Age to award prizes and distinctions not to persons of merit, though of humble origin; but always to persons of rank even though undeserving. If merit were the only criterion, the humblest would occupy the most eminent positions and the men, in them would be reduced to nothing.- People should get what they deserve and as Arragon thinks he deserves Portia, he chooses the silver casket.

Passage – 15
(Act II, Sc.VI, Lines 8-13)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 16

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 17

Context : These lines are taken from The Merchant of Venice. Gratiano and Salarino are waiting for Lorenzo who was to come at a certain hour but is late. Gratiano explains this delay by saying that in all matters one is full of enthusiasm only till the time of fulfillment and that one’s desire cools down afterwards.

Explanation : One may be hungry like a hawk when sitting to meal but after the meal one feels fully satisfied. A horse, fresh from the stable, will show fire and energy and speed but during the return journey he shows a complete lack of willingness to run fast. A man shows more enthusiasm in the pursuit of a pleasure than in its enjoyment.

Passage – 16
(Act II, Sc.VI, Lines 14-19)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 18

Context : These lines are taken from Gratiano’s speech to Salarino in The Merchant of Venice. The^two friends are waiting for Lorenzo who has to come to this place where Jessica will join him. Lorenzo is late. Gratiano remarks that a man feels more pleasure in the pursuit of an object than in its achievement. Gratiano illustrates his statement with the following example.

Explanation : A ship leaves its native harbour with flags and other decorations. The wind seems very favourable and plays with that sails of the ship. In other words, the sails are filled with the wind which drives the ship forward. The same ship, on its return, has a weather beaten appearance because, during its voyage the faithless wind played it false and damaged its sails as well as its framework. This ship may be compared to a prodigal (spendthrift) who leaves home and returns to it, after a period of dissipation, in a state of financial and moral bankruptcy.

Passage – 17
(Act II, Scene IX, Lines 25-33)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 19

Context : These words are spoken by the Prince of Arragon in The Merchant of Venice When he reads the inscription on the gold casket while making his choice. The inscription reads: ‘‘Who chooseth me shall gain what many me desire.”

Explanation : The Prince of Arragon argues that this inscription should not tempt him. The word “many” in the inscription means the common people who include a large number of fools. These fools are misled by external appearances. To judge things by their external appearance is as foolish as for a swallow to build a nest on some outward wall exposed to all the storms, directly in the path of accidents. For this reason, he says, he would not like to class himself with the common people by choosing the gold casket.

Passage – 18
(Act II, Sc. IX, Lines 41-49)

Merchant of Venice Workbook Answers Act 2 - Passages with Reference to the Context 20

Context : These lines are taken from The Merchant of Venice and are part of the speech of the Prince of Arragon when he is examining the inscriptions on the various caskets.

Explanation : He says that high offices, titles and positions of honour should not be secured by dishonest means. He wants that merit alone should be the criterion for such rewards. If merit were the sole test, many of those who at present enjoy high positions and prosperity would be reduced to insignificance; and many who are powerful would be forced into subordinate positions. A.proper distinction between worthless people and honourable persons would then be made. In that case many who are disregarded and ignored at present would rise to high place.

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