merchant of venice characters analysis

Character Sketch of Gratiano in Merchant of Venice

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Character Sketch of  Gratiano in Merchant of Venice – ICSE Class 10, 9 English

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GRATIANO

His Copious Talk; His Wit; His contribution to the Comedy of the Play

Gratiano is a very talkative and witty man. Indeed, his garrulity is his most striking trait; and this trait would have repelled us if his talk had not been witty. He has a keen sense of humour, an infinite capacity for talk, and a fertile wit. He is never short of words, and almost every remark that he makes is amusing in one way or another. Antonio, who is a serious-minded man, does not relish Gratiano’s ceaseless talk which is nothing but chatter for his ears. And even Bassanio says that Gratiano talks an infinite deal of nothing and that there is very little real sense in his talk. Bassanio expresses the view that the sense in Gratiano’s talk may be compared to two grains of wheat hidden in a large heap of chaff (or straw). However, Bassanio does not feel much upset by Gratiano’s endless talk though he does have some apprehension that Gratiano’s glib tongue would create some embarrassing moments for him (Bassanio) at Belmont. He feels it necessary to get a promise from Gratiano not to talk too much at Belmont before agreeing to Gratiano’s request that he should take him (Gratiano) there. Gratiano makes a substantial contribution to the comedy of the play. The Merchant of Venice is a romantic comedy which means that it is a play containing both romantic and comic elements in ample measure. If Bassanio is a man who contributes greatly to the romantic character of the play Gratiano is a man who contributes equally greatly to the play’s comic character.

His Satirical Comment on the Silent and Reserved Kind of Man

Gratiano’s comment on Antonio’s melancholy in the very beginning of the play shows the big difference  between these two men. Gratiano says that he cannot understand why a man should feel sad at all. He asks why a man, whose blood is warm within, should sit still and motionless like his grandfather’s statue. And then he asks why a man should creep into the jaundice by being peevish. By contrast with Antonio’s role as a sad man on the world-stage, Gratiano’s role is that of a “fool” (or a jester) who would like to grow old with mirth and laughter. Gratiano ridicules men who try to win respect by remaining silent so as to appear thoughtful and wise. He ridicules to man who talks in the tones of Sir Oracle, who wants others to stop talking as soon as he opens his mouth to say something.

His witty Promise to Bassanio

Gratiano’s promise to Bassanio to exercise restraint upon his natural effusiveness and boisterousness is another example of his witty manner of speaking. He tells Bassanio that he would swear only occasionally at Belmont, that he would carry prayer-books in his pockets, and that he would put on a solemn expression when gracebefore meal is being said. Indeed, Gratiano’s wit has a large share in the comedy of the play, The Merchant of Venice.

His Bitter, Fierce, and Denunciatory or Abusive Wit

Gratiano shows his wit even in the Trial Scene which is, on the whole, a very serous one, bordering almost on tragedy. Here his wit is ironical and sarcastic. Here his wit has an incisive quality which produces a devastating effect on the Jew. He repeats the words which Shylock has originally used when Shylock thought that he had won the case against Antonio. But Gratiano repeats those words in a tone of mockery and ridicule so as to aggravate the mental torture which Shylock is going through on finding that he has completely lost the case. The words Gratiano speaks are: “O Jew! an upright judge, a learned judge!’’ And then “A second Daniel! I thank thee Jew for teaching me that word.” He also suggests mockingly that the lew should be given a halter gratis so that he may hang himself. Indeed, Gratiano’s wit here becomes bitter, and even fierce and violent. His wit takes even the form of abuse and denunciation. He calls Shylock a damned, cursed dog. He also says that Shylock was in his previous life a wolf because his desires in his present life are wolfish, bloody, and starved.

The Wide Range of His Wit

Gratiano’s wit is wide-ranging. He can be simply jovial but he can also become bitterly sarcastic and even abusive. He can be furious and yet witty in his wrathful remarks. He can be mirthful and gay, and then he can make witty comments to add to the gaiety and the laughter. This pleasant side of his wit comes to our notice more particularly in the concluding scene of the play when the comedy of the rings reaches its climax. Here he defends himself against Nerissa’s allegation with a witty disparagement of Nerissa’s ring and tries to turn the quarrel into a trivial and frivolous manner.

His Knowledge of this World, and the Wisdom Resulting Therefrom

Gratiano is by no means a person who can only talk in a jovial and flippant manner. One or two of his speeches show that he is essentially a discerning man who has observed this world with close attention, and who has become fairly shrewd in judging people and things. On one occasion he makes a speech describing the decline in a man’s enthusiasm for something which had originally inspired a good deal of eagerness and zest in him. Nobody, he says, gets up from a feast with the same keen appetite with which he had sat down to it. Similarly, while a horse runs very fast in the beginning, it runs very slowly when it is coming back to the starting-point. When a ship sails away, it looks splendid; but, when it returns, it presents a sad spectacle because its body has greatly been damaged and its sails look worn- out on account of the strong winds and furious storms which the ship had to endure in the course of its long voyage. And the essence of this whole speech is found in the following lines:

all things that are,
Are with more spirit chased than enjoyed.
Gratiano is by no means a novice in the affairs of the world.

His Marriage with Nerissa

Gratiano’s visit to Belmont does not prove to be futile. He is able to win Nerissa as his wife; and he is able to do so without having to go through the ordeal which Bassanio has to go through in order to win Portia. Gratiano was able to coax Nerissa into agreeing to marry him even though she had laid down a condition. She had promised to marry him if Bassanio succeeded in winning Portia as his wife. He is, on the whole, a pleasing young man, with considerable knowledge of the world and of human nature. Nor do we have any doubt that he would make a good husband for Nerissa who is herself a highly intelligent woman with as penetrating a judgment of human character as her mistress Portia is. He and nerissa are, indeed, well-matched and make an excellent pair.

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Character Sketch of Bassanio in Merchant of Venice

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Character Sketch of Bassanio in Merchant of Venice – ICSE Class 10, 9 English

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BASSANIO

The Hero of the Caskets Story

If Antonio is the hero of the Bond story, Bassanio is the hero of the Caskets story. Of course, he is not a hero in the absolute sense of the word. But he is certainly a romantic hero who is able to win the heroine Portia as his wife.

A Young Prodigal Often in Need of Money

When we meet Bassanio first, we find him in need of money.’ He already owes some money to his friend Antonio; and now he approaches that friend of his with a request for another loan. He admits that he has always been spending more money than he could afford. He also acknowledges the fact that he is already under a debt to Antonio. But he also expresses his sincere desire to repay the first loan while asking for a second. And then, to prove his point he argues that, if Antonio gives him a second loan, he (Antonio) would stand a much greater chance of getting back the amount of the first loan in addition to getting back the amount of this second loan. And he supports this argument by citing his own experience as a schoolboy when, by shooting as arrow in the same directiofi in which he had shot the first arrow and lost it, he used to recover both the arrows. This is a very plausible way of arguing a case; and we must give due credit to him in this context. Of course, we can also here interpret his argument differently and say that he is using only, a trick to be able to extract a second loan from a gullible man. But Antonio’s deep love for him is a proof of the fact that Bassanio was not a trickster.

An Ardent and Romantic Lover with a Poetical Nature

Bassanio is certainly a romantic lover, having something of the poet in him. In describing Portia to Antonio, he says that she is fair and fairer than that word. He compares her to Cato’s daughter, Brutus’s Portia. Then he suitors to the many Jasons who went to Colchos to win the golden fleece. Later, he speaks in a poetic manner about the beauty of Portia’s picture. Thus we can have no doubt at all about his imaginative, romantic, and poetical qualities.

His Love of Gaiety

Bassanio has a dual nature. On one hand he is devoted to Antonio who is a reserved and melancholy kind of man, the silent type speaking very little. On the other hand, he is fond of the company of men like Gratiano, Salerio, and Solanio, all of whom are jovial, talkative, and boisterous fellows. On the whole, he may be regarded as a man with a healthy and optimistic outlook upon life. It is because of his handsome appearance and excellent manners, combined with his sense of humour and witty manner of speaking that Portia falls in love with him even before he makes his choice of a casket. Even Nerissa is greatly impressed by his personality and his behaviour, and she sincerely and ardently desires his success in his choice of a casket. His prodigality is a small fault which by no means disqualifies him as a suitor whose success in the test of the caskets is desired by all those who are interested in Portia’s welfare and by us as well. He actually comes out of the test with flying colours; and his success is, of course, the result of his understanding of this world and his knowledge of human nature.

Not at all a Shallow Man

He is not a shallow kind of man. The speeches which he makes before choosing a casket show his essential wisdom. When he comes to Belmont, his chief motive in trying to win Portia is to marry an heiress who owns a vast estate and is also exceptionally beautiful, However, the comments which he makes on the various caskets show that he is not at all a greedy man. He knows that appearances are deceptive and that the world is always deceived with ornament. He then gives several examples from the spheres of law and religion to prove that every vice in this world puts on an outward appearance of virtue. He speaks of cowards who wear the beards of Hercules and the frowns of Mars; and he speaks of women using paint, powder, and false hair to look beautiful and alluring.

His Sincerity in Friendship

Nor can we doubt his sincerity in friendship. He has a deep and genuine affection for Antonio; and his anxiety about Antonio’s safety clearly shows that. On learning that Antonio has fallen into the clutches of the Jew, he feels extremely dejected, and then tries desperately to save his friend’s life. Having plenty of money with him after his marriage with Portia, he is willing to offer any amount of it to Shylock to induce him to give up his demand for a pound of flesh from Antonio’s body. When the judgment in favour of Antonio and against the Jew has been delivered, he voluntarily offers three thousand ducats to the judge as a gift. And then, at Antonio’s request, he parts with Portia’s ring to gratify the judge’s desire even though he knows that his giving away the ring would mean some trouble with Portia when he returns home. In short, his true love for Portia, his true friendship for Antonio, and his generous nature make him a lovable man.

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Character Sketch of Portia in Merchant of Venice

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Character Sketch of  Portia in Merchant of Venice – ICSE Class 10, 9 English

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PORTIA

Her High Position in the Gallery of Shakespeare’s Heroines

Among the heroines created by Shakespeare, Portia occupies a high position. She produces a powerful impression on our minds; and her role in the play is most conspicuous and memorable. When the play the Merchant of Venice is mentioned anywhere, people think of two persons, namely Shylock and Portia; and these two persons are inseparable from each other in our minds because we remember Shylock chiefly as a villain wanting to take the life of his enemy Antonio, and we think of Portia as the person who defeats Shylock’s evil design. And, of course, Portia has other qualities also to impart a measure of greatness to her.

Her Sense of Humour and Her Sparkling Wit   

Portia is a lady with a cheerful and optimistic disposition. She has a strong sense of humour and a sparkling, scintillating wit which she shows in the very beginning and then continues to show till the very end. It is only on one occasion in the whole play that she feels melancholy, and even sick of the world. When she is first introduced to us, she tells Nerissa that she is feeling weary of the world. But this melancholy mood lasts only for a few minutes, and is dispelled as soon as Nerissa begins to talk to her about the various suitors who have arrived at Belmont to try their luck at the caskets. Portia has something very amusing to say about each of these four suitors. Her comment on her English suitor is perhaps the most amusing. This comment ends with her saying that the Englishman perhaps bought his doublet in Italy, his round hose in France, his bonnet in Germany, and his behaviour everywhere. Subsequently she shows her sense of humour in setting the Rings story afoot and bringing it to an end which gives rise to plenty of mirth and laughter. Portia’s comments on her various suitors show also her powers of minute observation and her penetrating judgment of human character.

Her Devotion to the Memory of Her Father

Portia is genuinely devoted to the memory of her father who, while dying, had devised a kind of lottery for the purpose of her choice of a husband. She is determined to carry out the terms of her late father’s will. Of course, it is possible for her to disregard her father’s will and to marry a man on the basis of her own judgment. But she has implicit faith in her father’s wisdom, and she is convinced that her father’s will would prove to be the means of her getting the right man as her husband. In this belief she is greatly encouraged by Nerissa who tells her that good men are sometimes divinely inspired when they are dying and that they then take sound decisions. Having fallen in love with Bassanio, Portia could easily have married him without subjecting him to the test laid down by her father in his will, but she does not follow such a course. Even the man, with whom she has fallen in love, must prove his worth by passing the test before she would marry him; nor does she give him any hint as to the casket which he should choose.

Her essential Wisdom

Portia shows her wisdom in other ways as well. Her conversation with Nerissa at the very outset of the play contains some valuable remarks which are well-worded maxims. For instance, she says that it is a good divine who follows his own instructions. She also says that she can easier teach twenty what were good to be done than be one of the twenty to follow her own teaching. In fact, her speech to Nerissa on this occasion is a series of aphoristic statements containing gems of wisdom. Later in the play, she again makes similar remarks which show her wisdom and her vast knowledge of the world and of human nature. For instance, she says that a good deed shines in a naughty world just as a candle shines in the darkness of the night. She also says that nothing is good if it is not seen in its proper context. She makes a similar remark when she says that many things appear to be praiseworthy and perfect when they are looked at in the right perspective. But her wisdom appears in a most striking manner in the Trial Scene in the course of which she is able to turn the tables upon Shylock and defeat him with the same weapon with which he wanted to take Antonio’s life.

Her Compassionate Nature

Portia has essentially a compassionate nature. Her famous “Quality of Mercy” speech is a proof of that. This speech depicts mercy as a sublime quality which is twice blest: it blesseth him that gives, and him that takes. Mercy, she says, is an attribute to God Himself. It is unfortunate that the Jew pays no heed to Portia’s plea. At the same time, we must acknowledge the fact that, in pronouncing the punishment to which Shylock has rendered himself liable, she tends to forget her own ardent plea for mercy. She allows the Christians to have their own way with him. She allows them to force him not only to part with all his wealth but also to be converted to Christianity. However, in this connection we should not forget that in the Elizabethan times such punishment to a Jew was not thought to be inhuman or brutal.

Her Modesty, Humility, and Femininity

Although Portia is a woman with a powerful intellect and extraordinary powers of reasoning, she yet remains a woman at heart with a lot of modesty, humility, and compassion. When she disguises herself as a man, she succeeds eminently in playing a masculine role. But on all other occasions she shows that modesty lends to a woman the grace and the chain which make her a lovable person. When Bassanio puts his hand on the lead casket, she feels overwhelmed by a feeling of ecstasy, and is hardly able to restrain her feelings on this occasion. When he actually opens the lead casket and, finding her picture in it, claims her with a kiss, she makes a speech which embodies the very spirit of humility. She describes herself as an unschooled, unlessoned, and unpractised woman, and then goes on to make a complete surrender of herself to the man who has won her as his wife.

Her Generous Disposition

Portia is a very large-hearted and generous woman. Every wealthy person is not generous. Some wealthy persons are also the greatest misers. Shylock is, of course, the most striking example of this sort of thing. But Portia combines her vast material wealth with an inner treasure of generosity. On learning the plight of Bassanio’s dearest friend, she offers to Bassanio any amount of money that he may need for the resuce of Antonio from the clutches of the Jew. And then she herself dons a lawyer’s clothes to function as a judge in the case because she has hit upon a plan to save Antonio’s life.

The Muse of Wisdom and Love

For all these reasons, one of the critics describes Portia as the Queen of this play, and as the Muse of wisdom and love. This critic also says that Portia is as natural as Eve in Paradise.

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Character Sketch of Shylock in Merchant of Venice

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Character Sketch of  Shylock in Merchant of Venice – ICSE Class 10, 9 English

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Shylock

A Famous Shakespearean Character: A Villain Deserving Some Sympathy

Shylock is one of the best-known characters in the entire range of Shakespearean drama. He is also a controversial character. Some critics and readers regard him as a through villain while others believe that, in spite of his villainy, he deserves some sympathy also. It is necessary for us therefore to assess this man’s character impartially. He certainly has his hateful traits of character; and he certainly deserves to be called a villain. But we still feel some sympathy for him because, in our opinion, he is not only a wrtfng-doer but also a victim of wrong-doing by others.

A Usurer

By profession, Shylock is a money-lender. Money-lending by itself is not something shameful or          discreditable, or degrading, or even objectionable. However, money-lending becomes something odious and abhorrent if a money-lender becomes an exploiter by charging excessive rates of interest. Shylock is a money-lender who tries to enrich himself and to accumulate wealth by exploiting the financial needs of others. One reason why he hates Antonio is that Antonio lends money to needy persons without charging any interest at all, and Antonio thus brings down the rate of interest in Venice. Shylock has already hoarded a lot of wealth by his usury, but his craving for more money is not satisfied. This makes him a contemptible person in the play. In this respect he is a typical Jew because the Jews have traditionally been regarded as usurers. It is only in our own times that the Jews have been able to shed that image. Today the Jews are regarded as a versatile race of people, possessing many gifts and talents.

His Intolerance of Christians; and His Extreme Miserliness

Shylock repels us not only by his usury but also by his religious intolerance. He hates Christians and he hates them fiercely. At one point in the play, he says in an aside that he hates Antonio firstly because Antonio is a Christian and secondly because Antonio brings down the rate of interest in Venice by lending money gratis. As a Jew, Shylock does not eat pork and he would not therefore like to join the Christians at a dinner where pork is to be served as one of the dishes. This much we can understand and accept. Everybody has a right not to eat a certain kind of meat, and also a right not to eat meat altogether. Everybody has even the right not to attend a dinner where meat is to be served. But nobody should hate others because they eat meat or a particular kind of meat. In this respect, as in all other respects, tolerance is the right attitude to adopt. But Shylock makes pork-eating one of the grounds for his hatred of Christians who are pork-eaters. In one of his speeches he refers to the Biblical story of the manner in which Christ had lured the devil to enter into the body of a pig. However, this is a very minor issue in the play. Eventually Shylock does agree to attend a Christian dinner; and his reason for attending it further lowers him in our estimation. He would like to eat at the expense of the Christians who are extravagant and who spend money needlessly. By eating a meal at the expense of the Christians, he can save a little money at home; and this is the height of miserliness and meanness. The Jews are-traditionally regarded as misers, though such is no longer the case in our own times. Launcelot Gobbo refers to Shylock’s miserliness when he says that in the Jew’s service he is “famished” (that is, starving). And yet Shylock says to Launcelot that the latter would not enjoy those facilities in Bassanio’s service which he is enjoying here, in the Jew’s house. We feel really amused to find that, although Shylock is a big miser, he thinks himself to be very generous.

His Deceitful and Crafty Dealings

Shylock is a deceitful and crafty man. At first he expresses his unwillingness to give a loan to Antonio on the ground that Antonio had been ill-treating him. However, an altogether different idea takes shape in his mind. He then agrees to give the loan but he lays down the condition that the bond to be signed should contain a clause according to which he would become entitled to cut off a pound of Antonio’s flesh from nearest his heart if Antonio fails to repay the loan within a period of three months. If is thus that he lures Antonio into signing the bond, saying at the same time that this clause is intended only as a joke because a pound of human flesh can serve no purpose at all and because even the flesh of animals like goats and sheep has greater value than human flesh. In other words, Shylock employs cunning to have to bond signed. He treats the bond as a weapon which he might be able to use in case Antonio, by some mischance, is rendered penniless and finds it impossible to repay the loan. In this respect, then, Shylock shows considerable shrewdness and even a capacity to foresee the future. In this matter of the bond, and the discussion which takes place between him and the Christians (Bassanio and Antonio), several facets of Shylock’s personality become evident to us. He here shows himself as a cunning, hypocritical, humble as well as arrogant man. He even cites a Biblical incident to justify the charging of interest, though he admits that this incident is not exactly a precedent but only a parallel to prove the validity of charging some kind of fee for the services which one renders to others. In any case, the whole scene in which the transaction takes place reveals Shylock’s character in an unfavourable light. He here appears as a detestable person deserving our dislike and hatred.

His Revengeful and Blood thirst Nature

Shylock is a revengeful and bloodthirsty man. From the very start, he is shown as planning to take his revenge upon Antonio for the latter’s ill-treatment of him. Antonio’s need for a loan serves him as a great opportunity to wreak his vengeance upon him. Subsequently no appeals from the Duke and the magnificence move him to pity. Even Portia’s eloquent plea for mercy tails to have any effect upon him. He feels jubilant when it seems that the verdict of the court would go in his favour; and he begins to exult over Portia’s pronouncement in the beginning that he has a very strong case. He bluntly tells the judge that there is no power in the tongue of man to alter his resolve to take a pound of flesh, “My deeds upon my head”, he says. He simply invokes the law which entitles him to the penalty and the forfeit of his bond, and he clings to the position he has taken up.

His Suspicious Nature

Shylock has a suspicious nature and does not trust anyone. He cannot trust either his servant or his daughter. Although his suspicious nature is no merit in him, yet we must admit that he is fully justified in his suspicions. His servant detests him, and so does his daughter. While the servant merely leaves his service, his daughter goes to the extent of running away from home with a Christian and stealing a considerable amount of his money and his jewels.

His Redeeming Qualities

Even though Shylock is a villain, he does have a couple of redeeming qualities. He is a champion of his race. He speaks eloquently and convincingly about the injustice which the Jews have always suffered at the hands of the Christians. He offers a forceful plea on behalf of the Jews in his speech beginning: “Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions?” Then there is his sentiment for his dead wife, Leah. On learning that his daughter had given away a particular jewel in exchange for a monkey, he says that this jewel had been given to him by Leah when he was still a bachelor; and he goes on to say: “1 would not have given it (the jewel) for a wilderness of moneys.” Besides, his character is distinguished by an intellectual force and vigour which are praiseworthy. It is in view of these good qualities in him that he wins our sympathy when he is cruelly treated at the end. At the same time we must not forget that he is essentially an evil man full of spite and malice against the Christians and, more particularly, against his enemy Antonio. And, of course, there is a comic side to him also. He appears as a monster when he begins to sharpen his knife in order to cut off a pound of flesh from Antonio’s body. He would use this flesh as bait to catch fish if he cannot make any other use of it. And he appears as a comic character when he cries simultaneously: “0 my ducats! O my daughter! O my Christian ducats”! And he becomes a pathetic figure at the end when he staggers out of the court, a ruined man and a fanatical Jew who must now turn a Christian.

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